How not to be photographed by girls. As always, it’s good and great to turn out in photographs? How to learn to pose beautifully for a photo? How to smile beautifully in photos? Outdoor photo shoot

According to statistics, about 90% of girls consider themselves non-photogenic, they don’t know how to take pictures correctly, how to look good in photographs, so they don’t like themselves in pictures and, like hell, are afraid to pose in front of the camera. At the same time, real professionals who are fluent in the art of photography know for sure that there are no non-photogenic people, there are only “photographers” who cannot capture and convey the individuality of the model.

Common misconceptions about photogenicity

"Oh, you know, I'm not photogenic at all!" - this phrase, immediately following the greeting “hello”, is heard by photographers from 4 out of 5 clients. Photogenicity and beauty are far from identical concepts. Exceptional photogenicity, as a rule, is possessed by people with sharp, expressive facial features, which, in real life may look rude and even unattractive. From the point of view of psychology, the success of shooting largely depends on the emotional message, self-confidence and the ability to present oneself. When a model loves herself and enjoys the process of shooting, she liberates herself, every gesture and movement acquires meaning, looks organic and everything turns out just fine in the frame. And expressiveness will help to give small make-up tricks, the right choice of hairstyles, clothes, and most importantly - good angles and chiaroscuro. By the way, even top models prefer to be photographed in only two or three good angles, so if in some position you do not look very attractive, do not rush to get upset - you will certainly find your own pose.

A real photographer is not just a master of his craft, communicating with the camera on “you”, but also a good psychologist who knows how to find an approach to people, showing genuine interest in the most ordinary model. The result of his work is successful, beautiful, and most importantly, informative pictures, which reflect not only the appearance, but also the inner world of a person. Such photos do not bother. You can look at them and look, every now and then discovering new facets. When we hear the names of Che Guevara, Ernest Hemingway or Albert Einstein, our most famous photo portraits immediately appear before our eyes: Che in the famous black beret with a star, Hemingway in a white wool sweater, Einstein with his tongue hanging out. During their lifetime, they hit the camera lenses hundreds of times, but we remember them precisely from these single shots, in which the presence of the spirit is felt. The complete opposite of these masterpieces is the photo on the documents. From passports, driver's licenses, student cards, frightened, skewed, suspicious individuals look at us. And all because of the lack of contact between the photographer and the model, and sometimes the absence of the photographer as such, because it is no secret that often such routine work is performed by people who are far from the high art of photography.

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How to take good pictures

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Down with fear!

Usually, those who judge themselves only by a few unsuccessful shots do not like and are afraid to act in films. It is not right. You need to shoot more and more. It's just a picture! Think you won't like it! Tear it, burn it, and in the case of a number, simply erase it. Analyzing various photos, you will certainly find the most successful poses, interesting facial expressions and will be able to use them in the future. The more you take pictures, the better you get to know yourself, your strengths and weaknesses, your capabilities, your good and bad angles. And thanks to our tips, you will quickly learn how to take pictures correctly and will be able to choose interesting poses for photographing for yourself.

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We remain ourselves

Hearing the words “Ready! Now the bird will fly. Chiiiz…” and other similar nonsense, seem to replace many: they freeze in an absurd pose, with an unusual expression on their face and a fake smile. You can't expect miracles from this picture. And you just need to be yourself. Not only a smile can turn out to be beautiful and interesting, but also sadness, and thoughtfulness, and even recklessness. But only if these emotions are not simulated, but come from within. Naturalness does not preclude playfulness. Play in front of the camera, because you can be so different! Play with elements of clothing, accessories, hair, shyly cover yourself with your hands, imitate walking on a thin rail, play hide and seek, imagine yourself in the form of an animal ... loosen up and let your emotions run wild! A good photographer will definitely catch what you need. Don't forget that photography is only interesting when it has emotion, action, and story.

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photo makeup

Less glitter. In order not to get a daub instead of a high-quality picture, the make-up for shooting should be without shine, matte. You can't do without mattifying powder! Even if your skin is not oily, it can shine in the photo. A little gloss can be applied only to the middle of the lips to make them fuller. But only a little! After all, you don’t need a picture in which nothing else is visible except for the lips. Refuse the varnish with sparkles, which in the photo will turn into the usual "dandruff".
We give the face "sculpture". In order for the face in the photo not to turn out flat and featureless, it must be made more expressive and embossed. To do this, with a matte brown-beige blush or dark powder, slightly darken the cheekbones, emphasize the line of the chin and highlight the wings of the nose.
You can visually shorten a long nose by darkening its tip, using a neutral tone blush or dark powder. And by shading the cheeks, you can visually narrow the too wide face.
Avoid too dark, bright and poisonous colors. In a photo, any unnatural shades will look even more unnatural.
The most merciless photography is in daylight: the camera will catch all the imperfections of the skin and the errors in the use of cosmetics. Therefore, it is better to minimize makeup, carefully masking all problem areas with concealer. It is advisable to use a palette of warm shades and shade the boundaries of applying cosmetics well.
For black and white photography and evening shooting, it is important to additionally emphasize the contours of the face: forehead, cheekbones, nose, chin. Be sure to brightly highlight the eyes and eyebrows, but it is better to refuse lipsticks of dark shades. In a black and white photo, they will make the lips black and narrow.
The digital photography enhances the pink color. Tonal foundation or yellowish powder will help to neutralize possible redness.

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Outdoor photo session

On the street, it is better to take pictures before 9 am or after 5 pm. A cloudy day works well for a successful portrait. On a sunny day, you should not stand facing directly to a scorching luminary. With extreme caution, you should be photographed in the shade of trees - the sun's rays make their way even through a very dense crown, casting uneven shadows on your face. When shooting in a headdress, choose a position in which the shadow from the brim of a hat or cap visor does not fall on the face.

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Proper work with the photographer

If you have already decided on a photo session, completely trust the photographer. Listen to everything he tells you, pay attention and strictly follow all his instructions - unlike you, he sees how the frame turns out. If he is silent like a fish and does not help you in any way, most likely you made a mistake in choosing a photographer and nothing good can be expected from such a shooting. The process should be mutually interesting.

Keep in mind that everything must be done slowly in front of the lens, so if you are asked to turn your head towards the light, do it at a snail's pace. If you hear the command "Freeze", freeze until you hear "All".

Trust, but do not allow images that are uncomfortable for you to be imposed. The final decision should always be yours.

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Successful photo poses

The most winning pose, which works great for just about everyone, is the half-turn. This is just a godsend for owners of round or large faces with chubby cheeks.
In group shots, it is better for ladies in the body to settle down not in the center, but on the side, so they will look slimmer.
Control your hands. They should not hang like whips. It is best to slightly bend them at the elbows, take something in your hands or lean on some object.

Our photo selection will also help you “try on” various poses:

Even more interesting photo poses can be found on the website of London-based photographer Lyn Herrick http://www.herrickphoto.co.uk/poses.html

If, after all the work done, you are still not satisfied with the final result - Photoshop will help you! 🙂

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Love taking pictures and posing, but not sure if you're doing everything right? Several simple rules, which we have collected in this article, will help you learn how to take shots almost like a pro, you just need a little skill, patience and a smartphone.

site assures: after reading this short guide, the photos are guaranteed to be successful.

1. Pay attention to the background

Sometimes a good shot can easily ruin a pole that has grown out of your head. Such trifles can be noticed not immediately, but they spoil the impression of the picture.

A suitable background can even be where you don’t expect to see it at all. For example, it can be a transformer box with a textured wall, or a service entrance that looks completely unpresentable from a distance, but looks quite good up close. Look for interesting materials and textures for the background even in the most unexpected places, only then get ready to fend off questions like “Where did you find such a cool background ?!”

2. Be careful with close-ups

The fact is that when shooting close, the geometry of the frame changes, as a result, the appearance is distorted. The face becomes like that of a hamster, and this is unlikely to be to your advantage. Move the lens away a little and you will see that the picture will turn out much better.

3. Experiment with the angle of inclination

Let's compare with our example. We have a cute carousel and an equally cute model, how to combine them? You can just stand next to the attraction and take a picture, or you can take a selfie and change the angle of inclination - you get a mischievous and funny shot. So we will see both the round roof of the carousel and the swing, and give the picture liveliness. Don't be afraid to experiment with angles when appropriate.

4. Don't put the subject in the center of the composition

If you are photographing a single subject, do not place it in the center of the frame. Remember the rule of thirds, according to which the frame is divided by lines, along which it is recommended to place objects.

5. Beauty is around

6. Learn to catch good light

Good lighting is an important part of a good photo. The difference in these two frames is literally one and a half steps, and the result is obvious. In the second picture, we managed to catch a softer light, besides, the background very successfully “fell” into the darkness and hid unnecessary details.

Rotate the camera a little, try to catch the light with your face. Do not forget that the lighting should fall on you, and not shine from behind, otherwise you will get only a silhouette.

7. But don't overdo it

Too bright light can also bad joke. Shooting in bright daylight can be difficult even for experienced photographers, and portraits in the sun will most likely turn out with squinted eyes. Therefore, try not to take pictures during hours of high solar activity. Look for the most beautiful natural light during the morning hours and at sunset.

8. Avoid HDR Mode

The HDR effect was once very popular on Instagram, and even now some photo editing applications offer filters with this effect. But the fashion for HDR has long passed, but the unnaturalness of such frames remains. Leave these filters in the past, they belong there.

9. Wait for the perfect moment to take a picture

Alas, but for the sake of an elegant frame, sometimes it is worth showing patience. Catching a good moment is easier than photoshopping random passers-by. A little exposure, and here is a great shot in your hands! That is, in a smartphone.

The quality of the photo depends on the experience of the master, the looseness of the model. If two conditions are met, then even plump models will look more slender. But there are certain rules that regulate the poses for a photo shoot for fat girls. We will consider posing options in the article.

Do you want to be beautiful in the photo?

If you are the owner of magnificent forms, then it is not necessary to deny yourself the pleasure of being photographed. Years pass, but the memory of them can be captured. Do not be ashamed of yourself and look at the catwalk models with sadness. You are also a model, but unique.

The success of a photo shoot will depend not only on appearance model, but its openness, natural state of peace, self-confidence. Tune in to a positive result in your head, but knowing the basics of correct posing in front of the lens will not hurt you.

Portrait Rules

The portrait should emphasize the dignity of the face and neckline of the model. The plan turns out to be large, the lens can add a couple of kilograms. Therefore, the photographer should take pictures from above, but in no case from below.

To avoid the effect of a second chin, you must:

sit half-turned to the camera;
raise your head a little and tilt it back slightly (do not overdo it so that it is not noticeable in the photo that you intentionally did this);
give in top bodies forward - there will be an emphasis on the face, which will stretch a little;
owners long hair they should be dissolved over the shoulders in order to also lengthen the oval. If the portrait is made half-turned, the hair can be thrown to one side, covering the cheek close to the lens;
try to avoid straight lines in posing in front of the camera, there must be a slight deflection of the body or a bias to the side;
the play of light and shadow, if the shooting is studio - a bright accent is given to the center of the face, the contours are slightly darkened to hide chubby cheeks, a second chin, to make the oval more elongated.

Regular photo standing, sitting or lying down

Many ladies of piquant forms refuse to be photographed in full growth, collecting only pictures along the chest line in their album. If you choose the right posture, you can remove the wrinkles on the stomach, lengthen the legs, reduce the volume of the hips, make the arms more attractive even in short-sleeved clothes.

standing angle

Fat girls always try to shrink, slouch, thinking that this way they will be smaller. And the correct pose for a photo shoot is:

Poses for plump sitting

When the model sits down on a chair, sofa, armchair, her body becomes shorter and wider, especially if you turn full face.

Half-sitting position

Correct posture is in the following nuances:

Sit in a half-turn without touching the back. The back is straight, the shoulders are laid back. Tilt your head slightly to the side and lift. You can throw your legs on top of each other or raise one on a bench and leave the other below. In this case, the body should be straight or slightly reclined back to avoid creases in the abdomen.
The chair can only be used as a support - stand with your back to it, rest your hands behind your back, and sit down slightly or bend one leg at the knees and leave the other straight. Do not allow the direct direction of the body to the camera in a sitting position.
Use accessories to cover your belly while sitting. A soft toy, pillows will divert attention from problem areas.
Chubby girls at a photo shoot should try their hand at lying down, especially on their stomachs. This pose will add spice to the pictures. So that the photo does not seem vulgar, you can wear a beautiful evening or home outfit. It all depends on the theme of the photo session.

“Mermaid Pose” for sitting photo

The key to success is, of course, the right outfit, hairstyle, makeup. Without this, even the brightest model with the correct body proportions can turn out unsuccessfully in the photo.

Some people who are fond of photography are sure that an expensive camera is needed to get spectacular shots. It's a delusion. Great pictures can be taken even with a smartphone, because correct technique Work is often more important than equipment.

We've collected classic photography tips to help you improve your shots into a list of 60 items and divided them into groups. The tips will help novice photographers and those from whom creativity improve their photographic skills without.

Explore your camera

Read the manual. Not everyone does this, and they don’t even imagine what opportunities they miss in doing so. Find time and a quiet place to carefully read the instructions, and do not immediately rush to shoot a family holiday, such as a wedding or great-grandmother's anniversary.
Remember the basic provisions of the manual settings, if you have a digital camera - do not limit yourself to the preset ones. Similarly, for a smartphone - it is better to be able to set all the parameters yourself in order to understand what and how it works for the result.
Bring all the basic manipulations to automatism so that you do not have to think about how to turn on the flash, use the zoom or other basic devices.
Learn how to hold the camera correctly and confidently: the quality of the pictures often depends on this. Ideally, this should be done with both hands, keeping your elbows close to your body for maximum control and less equipment shaking. However, it is worth working out and holding only with the right or left hand.
Even if the previous point has been mastered with brilliance, learn how to work with. It will reduce jitter, help you easily adjust to different shooting angles. Pay attention to mini-tripods - they can be placed, for example, on a table.
High resolution is the optimal setting, by definition, photos come out better with it. However, you need to learn how to find a balance between the size of the snapshot and the amount of memory on the card - or buy several removable media.
Don't forget to pay attention to the camera's shutter speed - incorrectly selected characteristics degrade the quality of the picture. If you are filming running children or other moving subjects, work at a speed of 1/500s or 1/1000s. For spectacular photos of car headlights, you can use a slow shutter speed, for example, from 1 to 10 seconds or even more.
Look at the options automatic modes: most modern cameras fully "adjust" to low light, simplify the process of shooting, help reduce red-eye. When you master the auto mode, you can easily switch to manual.

Get to know your subject

Don't push the model - people should feel free, especially when it comes to portraiture. It is very useful to first get to know the person, talk a little. Sincere interest helps people to relax and look good in the photo.
Think about how you can cause a sincere smile on the face of the model - naturally, not everyone knows how to portray cheerfulness "on command". A joke prepared in advance is not a crime, on the contrary, it is a good tool that a photographer needs.
Eye contact - the ability to instantly establish a connection with the model. Don't be in a hurry to shoot: stop, lower your camera, and don't treat the person like an experiment you're doing in your darkroom. Look at the model and try to understand how she feels. This will help both her and you become calmer and more natural.
Treat the model carefully: remember, she should be comfortable. Need breaks, maybe a little walk. In addition to making you look polite and pleasant, you can improve the atmosphere, and therefore the pictures.
Don't put the model in the center of the composition - shift the position and you will see that the frame will be much more interesting. Remember the rule of thirds and try to leave the middle part of the space as empty as possible.

Use Light Effectively

Turn off the camera flash: it makes the subject "flat" and inexpressive. If the light is placed at the same angle as the lens, it hides natural shadows and the effect from your beautiful camera will be no more than from a smartphone. No, phones are capable of taking great pictures, but grab one and you'll see the difference.
Work on your white balance. If you shoot indoors without a flash, your skin may start to glow orange. Mastering the white balance is necessary to cope with this problem and significantly improve the quality of your work.
Know how and where the light comes from. Before shooting, look around, find natural sources. Avoid shooting with light directly behind you - the picture will be dull. Better if it falls at an angle. On the street, the same rule applies - do not let the sun shine directly on the face of the model.
Use the "golden hours" - twice a day, one hour before sunrise and one hour after sunset. At these moments, shadows become interesting, faces are softly highlighted, portraits and landscapes are very beautiful.
Avoid harsh light: the sun can be too harsh. Try to shoot in the shadows - this will give the portrait a new meaning.

Work on a flash photo in bright light to soften the direct midday sun. Subjects will be softly highlighted and the picture will be pleasant to look at.

Work on the light: try changing the position of the model, the location of the shadows.

Compose your photo

Try to make a "frame" inside the frame - it can be a doorway, a window, an arch. They add depth to the picture, help to tell more about the photo, "lead" the viewer's eye.
Think about what you want to tell the audience - what message should the picture carry. Use visual tools - lines, different angles.
Get closer: if you stand too far from the "subject", the details will become indistinguishable. Start from a distance of about three meters, and then move away or vice versa, get closer to better express the meaning of the picture.
Focus clearly on the object: it must attract attention and you need the viewer's eye to move towards it. Use landscape accents, people - for example, as a frame for the main character. To easily work on a composition, find a good guide for it.

As a bonus

Do not be lazy to look for angles: most people take pictures looking straight ahead. There are many ways to make the shot better - for example, change the angle by standing on a ladder, a chair, kneeling down. Great photos can be taken even lying on your stomach.
Zoom in with your feet instead of zooming in.
Don't forget about the background - it's as much a part of the picture as the main subject. It should not be cluttered and should add meaning to the shot.
Make sure that there is no red-eye in the photo - turn on the appropriate function, add light to the room, ask the models not to look directly at the camera.
Use natural lines and shapes - buildings, interior furnishings, architectural elements (doorways, stairs).

Work with the foreground without forgetting other "dimensions". For example, an object closer to the camera will look larger, this will be emphasized by small objects in the background. On the contrary, the small size of the object in the depth of the composition "reinforces" the background objects in the foreground.
Once again, come closer. Remember the classic expression: if the photo is not too good, then you did not get close enough. So, besides, you can detail the faces.
You don't have to look directly at the LCD screen after taking a picture: you might miss important points. Try to break this bad habit.
If you put watermarks on the photo, do not be zealous - they distract from the picture.
Always take spare batteries with you when shooting, and charge your batteries as soon as you get home so you're always ready to go.
Learn how to work with focal lengths. The less you "juggle" lenses, the more likely you are to get a good shot. A combination of 28 mm and 35 mm is considered successful - try starting with them.
Trust not only technology, but also your eyes.
Try to be grateful, especially if you're filming in another country. If you were asked to pose, agree - you also use others in your photos.
Learn the rule of thirds - the famous three parts or nine rectangles. Empty space in the frame draws attention to the compositional center.
"Keep in mind" the lines from the rule of thirds. The object can be on them or between them - pictures taken from different positions are very different.
Do not clutter up the frame - simplicity will make the photo more effective, and the abundance of objects will confuse the viewer.
Don't take too much equipment, otherwise you will get confused in it. One camera and a pair of lenses is enough.
Change perspective and angles by moving vertically and horizontally.
Keep an eye on the background - if you are shooting a bride and groom, there should be no trash cans in the background.
If you find it difficult to work with bright light, move into the shade - this will help to achieve a different shade and remove the "mottled" lighting.
Always take a camera or smartphone with you if you like shooting with it: you can't take a perfect photo with the equipment that lies in the box.

Work on your exposure, especially if the sun is behind your subject. It is necessary to eliminate unwanted shadows, to make the face less flat.
Shoot well right away. Time is money, try to ensure that the original images are of high quality, and do not have to deal with post-processing for a long time.
Think of several different scenes for one "story" - don't forget about alternative views.
Let the camera become an extension of your hand. You must know her and her capabilities thoroughly.
Try to have fewer shades in the photo - so it will be easier for the viewer to perceive his idea.

And a few more tricks

Do not hurry. Take the time to think about what you're looking at before hitting the camera button. Is the light good enough, is the background correct in your photo? Slowly walk around the neighborhood, explore what you can include in the composition.
good books- the right investment. Buy competent manuals, albums of photographers that you like, this good motivation, after all, they also once started.
Ignore stereotyped rules - even if they work, try breaking them to experiment. Learn from your mistakes and always try to be better than you were yesterday.
Look for inspiration: its sources are everywhere. Other styles, different shooting points, approaches. Look at the photos of other authors from a technical point of view: how could you improve them?
Patience and perseverance are very important. Believe me, if you work, the result will definitely be good.
Before taking pictures of people, be sure to ask for permission - especially if you are in an unfamiliar country. In some cultures, this is taken painfully, and filming without permission can even end in a fight.
Practice regularly: The best way achieve perfection - practice. Shoot every day, even if your only subjects are a bowl of fruit or your cat. Experiment to find your own style.
Join a group of like-minded people, such as a local photography club. You will not only get a lot of valuable advice, but also see how others work and make friends. There is no real club - look on social networks.
Ask other photographers for feedback - feel free to share and ask for comments. You can learn about your strengths and weaknesses. Even negative reviews are helpful.
Practice, practice and practice. The more you practice, the better you get. Let this phrase be your mantra. An excellent result will not keep you waiting - we have no doubt about it!

My name is Pavel Potashnikov, I am a professional photographer and videographer. In my team, proven people are ready to organize photography and video shooting of any complexity for you, to solve even non-standard tasks. For more than 9 years of work, we have been winning international photo contests, cooperating with both individuals and major corporate customers. My team and I work in Belarus and other countries in the genre of individual and corporate photo shoots, video shooting, portfolio and portraits, wedding and advertising, staged and reportage shooting. Photo-video filming from air and ground.

Photo studio in Minsk

Own comfortable photo studio with professional equipment suitable for video filming, make-up and hairdressing room, bathroom - not far from the center of Minsk. I shoot video and take pictures both in the studio and on the road with studio lighting. In the "portfolio" section you can see examples of work, in the "about the photographer" section you can find detailed information about the photographer and customers. Me and my team look forward to working with you!
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